Well, what do you know? It looks like our favorite fingerpainter is really making a name for himself with his handset artwork. Like his other New York City-scapes, Jorge Colombo's cover for the June 1, 2009 issue of The New Yorker was composed entirely in the Brushes iPhone app. And it looks like the artist's switch to a digital format is no gimmick -- he tells The New York Times that the device allows him to work "without having to carry all my pens and brushes and notepads with me." And he can work in anonymity -- to complete the cover he spent about an hour on 42nd Street, with no interruptions (try doing that with a canvas, an easel, and a full co
